'We stand with her': Blake Lively's co-stars including America Ferrera back her amid Baldoni lawsuit

Blake Lively accuses 'It Ends With Us' co-star of sexual harassment and smear campaign

Blake Lively has filed a lawsuit and sexual harassment complaint against Justin Baldoni, as ITV News' Charlotte Cross reports


US actress America Ferrera and It Ends With Us author, Colleen Hoover, are among the stars speaking out in support of Blake Lively after she filed a lawsuit and sexual harassment complaint against director Justin Baldoni.

It Ends With Us director Baldoni, 40, and the studio behind the romantic drama are accused of embarking on a “multi-tiered plan” to damage Lively’s reputation after a meeting to address accusations against Baldoni and a producer of the film of “repeated sexual harassment and other disturbing behaviour”, according to the legal document shared by The New York Times.

On Monday, Ferrera, Amber Tamblyn and Alexis Bledel, who starred alongside Lively in the 2005 film The Sisterhood of the Traveling Pants, released a joint social media statement to defend her.


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In the statement released on Instagram, Ferrera, Tamblyn and Bledel wrote: “As Blake’s friends and sisters for over 20 years, we stand with her in solidarity as she fights back against the reported campaign waged to destroy her reputation."

The statement released via Instagram. Credit: Instagram

“Throughout the filming of It Ends with Us, we saw her summon the courage to ask for a safe workplace for herself and colleagues on set, and we are appalled to read the evidence of a premeditated and vindictive effort that ensued to discredit her voice," they continued.

They added: “Most upsetting is the unabashed exploitation of domestic violence survivors’ stories to silence a woman who asked for safety. The hypocrisy is astounding.”

The trio of actors praised Lively’s resilience and her refusal to work in a hostile work environment.

Justin Baldoni attends the world premiere of "It Ends with Us". Credit: AP

“We are struck by the reality that even if a woman is as strong, celebrated, and resourced as our friend Blake, she can face forceful retaliation for daring to ask for a safe working environment,” the statement continues.

“We are inspired by our sister’s courage to stand up for herself and others.”

They added: “For anyone seeking more information or engaging in this important conversation online, please read the full legal complaint in the investigative reporting by Megan Twohey, Mike McIntire, and Julie Tate for the New York Times.”

It Ends With Us, based on Colleen Hoover’s novel of the same name, is about a woman’s pursuit of a loving and healthy relationship, with Lively, 37, playing the lead character Lily Bloom and Baldoni as her love interest Ryle Kincaid amid a backdrop of domestic violence.

In a post to her Instagram stories, Hoover wrote: “@blakelively you have been nothing but honest, kind, supportive and patient since the day we met.

“Thank you for being exactly the human that you are.

“Never change. Never wilt.”

She then linked to a New York Times article titled We Can Bury Anyone: Inside A Hollywood Smear Machine.

The article details the complaint including accusations that Baldoni retained a crisis communications specialist who, with the director and “approval” of the studio, launched a “sophisticated, co-ordinated, and well-financed retaliation plan” creating “manufactured content” that would “influence public opinion”.

“I hope that my legal action helps pull back the curtain on these sinister retaliatory tactics to harm people who speak up about misconduct and helps protect others who may be targeted,” Lively said in a statement to the newspaper.

Rumours regarding a fractured relationship between Lively and Baldoni began around the film’s release at the beginning of August.

In the complaint for damages, which precedes a lawsuit, Baldoni, his publicists and Wayfarer Studios, are listed among the defendants.

Bryan Freedman, a lawyer representing Baldoni, Wayfarer Studios and its representatives, said the claims were “completely false, outrageous and intentionally salacious”, adding that the studio “made the decision to proactively hire a crisis manager prior to the marketing campaign of the film”.

He added: “There were no proactive measures taken with media or otherwise; just internal scenario-planning and private correspondence to strategise, which is standard operating procedure with public relations professionals.”


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